Ekine Euphemia Dumeayam — University of Port Harcourt
· Vol. 33, No. 2
· 08 September 2026
Mfon Umoren Ekpootu University of Port Harcourt
Women have always participated in local environmental and social struggles. In the colonial era, one of the most notable protests by women was the protest by Ibibio and Igbo women in 1929 against the British colonial adm...
Joyce Onoromhenre Agofure — Ahmadu Bello University, Zaria
· Vol. 33, No. 2
· 08 September 2026
This paper explores the complex interplay between oil, gender dynamics, and environmental security as depicted in Jeta Amata’s film Black November (2012). While prior research has examined the environmental impacts of oi...
A. Chukwudumebi Obute — AFREXTRACT Project, University of Groningen, The Netherlands
· Vol. 33, No. 2
· 08 September 2026
Iva Peša AFREXTRACT Project
Jackson Tamunosaki Jack AFREXTRACT Project
Since the evolution of the Nigerian literary tradition in the 1950s, itself a successor to orature, numerous writers have consistently opted to make society the epicentre of their enterprise. In fact, a handful have even...
Chisom Paula Ogamba — Babcock University, Illlisan Remo, Ogun, Nigeria
· Vol. 33, No. 1
· 05 September 2026
Blessing Chidinma Aaron - Babcock University aaronb@hs.babcock.edu.ng
Olubunmi Idowu - Babcock University idowuo@babcock.edu.ng
Goodseed Ochulor - Babcock University ochulorg@babcock.edu.ng
This study interrogates how Nigerian newspaper reportage linguistically constructs the “perfect victim” and produces a hierarchical representation of rape victims. While prior studies have examined rape narratives throug...
Obiora Anamaleze — Department of Fine Arts and Design, Wigwe University, Isiokpo, Rivers State, Nigeria1
· Vol. 33, No. 1
· 05 September 2026
Anaele Lucky - Department of Fine Arts and Design
Visual culture is a critical site where power, identity, and knowledge are negotiated. Within contemporary African art, materiality has emerged as a powerful means of challenging colonial and patriarchal constructions of...
Nsikak Effiong Okon — University of Port Harcourt
· Vol. 32, No. 1
· 03 June 2026
John O. Obineche
Ben O. Onu
This article examines how prosperity theology shapes women’s religious agency within Assemblies of God churches in rural Rivers State, Nigeria. Rather than treating the prosperity gospel as either purely liberative or ex...
Jones U. Odili — University of Port Harcourt
· Vol. 23, No. 1
· 02 July 2017
Adeline Iwo Lawson-Jack
Christian women associations in the 21st century are leading hundreds of community development programmes in line with the social gospel. Inherent in their style is their dedication in getting residents of their communit...
Nneka Umera-Okeke — University of Port Harcourt
· Vol. 23, No. 1
· 02 July 2017
Various approaches have been used to describe how women use language in the society. They range from the deficit approach, dominance and difference approaches to the modern social constructionist approach. This study obs...
John Ebimobowei Yeseibo — University of Port Harcourt
· Vol. 23, No. 1
· 01 July 2017
The feminist goal is to usher in an integrated human society, one that is free of gender imbalance. The primary aim of feminism is to expunge from society all forms of male dominance, oppression, subjugation and marginal...
Ime Usen — University of Port Harcourt
· Vol. 22, No. 2
· 20 June 2016
The emergence of feminist filmmaking in the Nigerian Video Film Industry collaborates with feminist literature to champion the cause of women in
Nigeria. The focus of this paper is to examine how women are presented an...
